Blade Runner is an incredible movie. I dare say it is one of my favorites. Imagine my excitement when it was announced that a new Final Cut version was on the way for DVD release and theatrical release. Then imagine my disappointment when I learned that I lived nowhere near a theater showing of what is sure to be the pinnacle of man’s pursuit of art. That’s okay I can still get the DVD I guess. But then I got to thinking. I know this is the “Final” cut, but hasn’t Blade Runner been released about 80 different times, each one more final than the last?
Perhaps I should hold out for the next release, the Ultra Mega Final Cut. I have some insider info on the changes being planned for this upcoming re-release and some of them sound pretty exciting. Just take a look at what they have changed:
Replaced the Chess game with a round of Halo
To appeal more to a modern audience, and to more accurately depict the future as it will most probably unfold, the ongoing game of chess between the geniuses Tyrell and J.F. Sebastian is going to be modified into a rousing Halo match. All of the intensity of the finishing moves will remain intact, but the whole thing will play out over Xbox LIVE. Today’s hooting college kid is tomorrow’s revolutionary cyberneticist. The scene where Sebastian finally defeats Tyrell with the aid of of Roy will be punctuated by Tyrell throwing his controller against the wall and Sebastian calling him a “noob nigger faggot!”
Increased the asian cultural influence
Lets face it, even though Blade Runner got it right by displaying the overwhelming Japanese influence in America, they have underestimated just how far this stuff is going to reach by 2019. The Ultra Mega Final Cut will remedy that by giving Deckard long hair set in permanent blade like spikes. Also his gun will be changed to include a nine foot long sword attached to the barrel in painstaking digital special effects. This should draw in the millions of otaku anime fans who already love cyberpunk shit to begin with.
Removed inaccurate environmental and scenic design
To keep up believability the whole movie will be digitally processed to remove the gloomy overcast and polluted look the LA of 2019 has. With peak oil obviously already passed we are well on our way to reducing emissions and cleaning up all that smog. Instead LA will be bright and sunny with a lighter countenance with all female characters in big bug eyed shades. What do you say? Global warming is on the rise still? The polar caps are all going to melt? Nevermind. The entire movie will now take place completely under water.
Modernized Deckard’s photo enhancing equipment
The scene with Deckard plugging a photograph into a wacky TV photoshop contraption to zoom in on a blurry smudge and enhance it to reveal a character’s embarrassing Betty Boop tattoo or some crap has been revamped to reflect modern computing capabilities. As is sometimes the case with science fiction reality has progressed in certain areas much faster than expected and the result is Deckard’s use of what might as well be a quaint steam powered engine where a sleek computer would do the trick even better. Deckard will be using the latest Macbook so he can look twice as stylish and ten times as smug while he investigates.
The revised scene will take into account what we have learned from CSI, so not only will he be able to enhance a 3×4 block of pixels into a recognizable face, but it will have an incredible user interface completely driven by a keyboard with no mouse input needed at all! I know I use nothing but my trusty keyboard when I load up photoshop! (This is actually LESS retarded than the voice activated system in the actual movie.)
Fine tuned and adjusted the ending further
This one is more of an edit to reflect modern movie tastes and make the film age better rather than a technical fix. The original fruity happy ending that nobody cares about is gone, as is the uncertain and unsettling ending we have grown to love in the DVD releases. In its place is something to bring Deckard more in line with what modern audiences want in an action hero. Gone is Roy’s monologue given as Deckard watches in the rain.
Instead, Deckard, trapped on the rooftop and facing off against Roy sees he has one round left is his Sword/Gun. He gives a steely look to Roy, raises his gun and whispers a witty one-liner. Everything goes all slow-mo and Roy’s head explodes in an amazing display of gore and badassedness. Deckard drops the gun, puts on his bug eyed shades and walks slowly away as the music swells and the credits roll. It’s System of a Down.
-Andy

Slap one of these with your sausage fingers:
These icons link to social bookmarking sites where readers can share and discover new web pages.
Latest Comments